Part Two of the 2019 Hollmann Awards. Do check out Part One from yesterday, the full list of nominees from last week, and the Top Ten for more context.
And now, the awards, beginning with....
Thursday, January 30, 2020
Wednesday, January 29, 2020
The 2019 Hollmann Awards: Part One
The first part of the 2019 Hollmann Awards. Familiarize yourself with the nominees first, then come back here to see nine of the eighteen categories, presented as they came up in my random draw (I write the categories on scraps of paper, roll them round in a collectible Storm Trooper popcorn bucket from Solo, then select at random to decide the order). Beginning with...
Labels:
2019,
Al Pacino,
Deng Chao,
Diana Lin,
Hollmann Awards,
Knife + Heart,
Long Day's Journey Into Night,
Lulu Wang,
Parasite,
Shadow,
Steven Zaillian,
The Farewell,
The Irishman
Sunday, January 12, 2020
Quick and Messy Oscar Predix
while the Hollmann Award nominations are still on everyone's mind, we must remember that the Academy Awards are announcing their nominees tomorrow - copycats! My predictions:
The 2019 Hollmann Awards Nominees
For the fourteenth year running, I present the nominees for the Hollmann Awards! Refresh your memory with the list of films seen and the Top Ten, then return here to see which 32 films will be competing in 18 categories to be proclaimed - BEST! Order of categories was decided via raffle.
The nominees are....
The nominees are....
Friday, January 10, 2020
My Top Ten of 2019
As I noted earlier, my tally for 2019 releases seen in 2019 was 97; to that, I add three more: 1917, The Rise of Skywalker and Uncut Gems, for a comfortable 100. Which means I've finally seen enough films to comfortably make my Top Ten of the year!
Apologies to the also-rans: 1917, Atlantics, Climax, Diane, Extreme Job, Ford v. Ferrari, Knives Out, Late Night, Little Women and Mal-Mo-E: The Secret Mission.
And now, in alphabetical order...
Apologies to the also-rans: 1917, Atlantics, Climax, Diane, Extreme Job, Ford v. Ferrari, Knives Out, Late Night, Little Women and Mal-Mo-E: The Secret Mission.
And now, in alphabetical order...
Saturday, January 4, 2020
The 1954 Retro Hollmann Awards: Part Two
Yesterday, we finally began the 1954 Retro Hollmann Awards. Today...we complete them.
Best Original Song
1. A Star is Born - "The Man That Got Away"
music by Harold Arlen
lyrics by Ira Gershwin
2. Seven Brides for Seven Brothers - "Wonderful Wonderful Day"
music by Gene de Paul
lyrics by Johnny Mercer
3. White Christmas - "Sisters"
music and lyrics by Irving Berlin
4. Johnny Guitar - "Johnny Guitar"
music and lyrics by Peggy Lee and Victor Young
5. Seven Brides for Seven Brothers - "Lonesome Polecat"
music by Gene de Paul
lyrics by Johnny Mercer
1. A Star is Born - "The Man That Got Away"
music by Harold Arlen
lyrics by Ira Gershwin
2. Seven Brides for Seven Brothers - "Wonderful Wonderful Day"
music by Gene de Paul
lyrics by Johnny Mercer
3. White Christmas - "Sisters"
music and lyrics by Irving Berlin
4. Johnny Guitar - "Johnny Guitar"
music and lyrics by Peggy Lee and Victor Young
5. Seven Brides for Seven Brothers - "Lonesome Polecat"
music by Gene de Paul
lyrics by Johnny Mercer
After the jump - Best Actor, Best Original Screenplay, Best Picture....and more!
Friday, January 3, 2020
The 1954 Retro Hollmann Awards: Part One
Extremely late. The 1954 Retro Hollmann Awards are today and tomorrow, nine categories each day. Who's nominated? You'll find out as we go along. For now, let's start with....
Best Actress
A Star is Born
She truly does it all: singing, dancing, comedy, drama - and more than once, all at once. Her chemistry with James Mason is perfect, her watchfulness, her knowing when to turn it on to cheer him up and when to fade back. Her song-work, of course, is superb, from the way she conjures a second "Born in a Trunk" out of nothing but living room furniture for "Someone at Last" to her gathering all her strength to sell the optimistic "Lose That Long Face" to, of course, "The Man That Got Away." You've heard the legend of Judy Garland; come see for yourself.
In second place, Danielle Darrieux in The Earrings of Madame De... - where frivolous flirting gives way to genuine passion. In third place, Rosaura Revueltas in Salt of the Earth - a marvelous arc where quiet housewife becomes fierce fighter for the working class. In fourth place, Brenda de Banzie in Hobson's Choice - a force of nature that's never overbearing, a genuine warmth that lives in tandem with her curt professionalism. In fifth place, Jane Powell in Seven Brides for Seven Brothers - leading the film's balance between rough-and-ready horniness and family-friendly sweetness.
Eight more categories, including Best Score, Best Adapted Screenplay, and Best Supporting Actor, after the jump.
Eight more categories, including Best Score, Best Adapted Screenplay, and Best Supporting Actor, after the jump.
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