Sunday, January 19, 2025

On the Defensive: 2003, Day One

The difficult thing about doing “retrospectives” of Oscar years is that, the closer you get to the contemporary timelines, the more you hear, “Oh, you didn’t watch [blankety blank] you have to watch [blankety blank]!” People can forgive missing a Bacall or two because, hey, those are old; tell people you missed Bringing Down the House and you might as well say you didn’t take the project seriously.

But I swear I did! Remember, I was a moviegoer in 2003, albeit still at the mercy of friends’ and parents’ availabilities: the closest theater was miles away and besides, I wasn’t exactly driving at 13/14 years old (nor am I at 35 years old). Point being, there were “popular” movies I missed then, there are “popular” movies I miss now - there are “popular” movies you miss now, admit it!

Ach, such a defensive way to begin this retrospective! The films we look at today cover the period from January 17 to April 25. There are thirteen in all. Four of them are new to me: Bend It Like Beckham, City of God, A Mighty Wind, and Phone Booth. The rest I’d seen before, though only three of them I’ve seen more than twice: Identity, House of 1000 Corpses, and Blue Collar Comedy Tour: The Movie.

Let’s begin:

Thursday, January 16, 2025

2003: Beginnings

Obviously, there's been some delay in the 2003 posting due to life stuff.

I am still prepared to start with the reviews on Sunday. I watched 78 films total for this project - and, since 2003 was a year when I started to ramp up my moviegoing and cinephilia, over 50 of them are rewatches, some for the hundredth time, many for the first time since seeing them in cinemas.

The 78 films are:

21 Grams
28 Days Later
Anger Management
Anything Else
Bad Santa
The Barbarian Invasions
Bend It Like Beckham
Better Luck Tomorrow
Big Fish
Blue Collar Comedy Tour: The Movie
Brother Bear
Camp
Capturing the Friedmans
City of God
Cold Mountain
The Company
The Cooler
Daredevil
Die, Mommie, Die!
Dirty Pretty Things
Down with Love
Elephant
Elf
Finding Nemo
The Fog of War
Freaky Friday
Freddy vs. Jason
Girl with a Pearl Earring
Gothika
The Haunted Mansion
House of 1000 Corpses
House of Sand and Fog
House of the Dead
How to Lose a Guy in 10 Days
The Human Stain
Identity
In America
In the Cut
Intolerable Cruelty
The Italian Job
Kill Bill Vol. 1
The Last Samurai
The League of Extraordinary Gentlemen
The Lord of the Rings: The Return of the King
Lost in Translation
Love Actually
The Magdalene Sisters
Master and Commander: The Far Side of the World
Matchstick Men
A Mighty Wind
The Missing
Mona Lisa Smile
Monster
Mystic River
Open Range
Party Monster
Peter Pan
Phone Booth
Pieces of April
Pirates of the Caribbean: The Curse of the Black Pearl
The Room
Runaway Jury
The Rundown
The School of Rock
Seabiscuit
Shattered Glass
Something's Gotta Give
The Station Agent
The Texas Chainsaw Massacre
Thirteen
The Triplets of Belleville
Under the Tuscan Sun
Underworld
View from the Top
Whale Rider
Willard
Wrong Turn
X2

We begin Sunday with the first 13 films released that year, taking us from January 17 to mid-April, including Oscar surprise City of God and Marvel embarrassment Daredevil. Do join...

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Sunday, January 5, 2025

The 1997 Retro Hollmann Awards: The Winners

The biggest gap from the beginning of a year to its conclusion in a while. Nevertheless, here we are: you've seen my take on the Academy Award nominees in six categories, my Top Ten, and my nominees. Now, here are my winners, the best of the best, for the 1997 Retro Hollmann Awards:

Monday, December 23, 2024

Top Ten of 1997

Finally, after much writing, rewriting, and thought, my Top Ten of 1997. It almost included Alien Resurrection, Cop Land, Deconstructing HarryThe Postman, and The Sweet Hereafter, but ultimately does not. In alphabetical order:

Wednesday, December 4, 2024

Monday, December 2, 2024

1997 Oscars: Best Supporting Actress

Best Supporting Actress was a tight race between two very different performers and performances. In one corner, the beauty demonstrating her thesping abilities in the throwback noir L.A. Confidential, Kim Basinger (some still may consider her role a leading lady part); in the other, the veteran whose career was older than 20th Century Fox, emotionally anchoring the narrative of the epic box office titan (!) Titanic, Gloria Stuart! Indeed, at the Screen Actors Guild Awards, they both won, a rare awards season tie.


Oscar did not go the same way.



It’s an interesting lineup overall, with three Best Picture nominees, a dramedy, and a studio comedy all in the mix. Here's how I'd rank 'em: